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The Cornerstone Theater Company adapts Shakespeare to tackle
California politics
By Ramy Eletreby
In its 20 years, Cornerstone Theater Company has become
nationally recognized for adapting renowned pieces to specifically
play towards the community they are performed in. Two and
a half years ago, Cornerstone's adaptation of George S. Kaufman
and Moss Hart's You Can't Take It With You to appeal to the
L.A. American Muslim community was praised. This time around,
it's the work of the Bard that has received the face lift.
In association with Pasadena Playhouse, Cornerstone Theater
Company has taken a Shakespeare classic, As You Like It,
and transported it to modern day California, specifically
Pasadena and the Mojave Desert, and the current political
climate. "What's happening in Pasadena in the play is
a metaphor for what's happening in the U.S. today," says
As You Like It adaptor and Cornerstone co-founder Alison
Carey, whose adaptation deals such timely issues as gay marriage
and gender identity.
In the meticulous and sensitive hands of director and Cornerstone
co-founder Bill Rauch, the adaptation, cleverly titled As
You Like It: A California Concoction, becomes a social commentary
on the definition of love and the different ways it can be
expressed. Christopher Liam Moore, Rauch's partner of 22
years, stars as Rosalind, the heroine. In fact, Rauch and
Moore's personal relationship informs the piece directly
and gives the premise a credibility that is undeniable. "There
are five couples who marry at the end of the play: a lesbian
couple, a gay couple, a straight senior citizen couple, and
two other straight couples. And Chris [Moore] plays the female
in one of the straight couples, which makes a strong statement
about the possibilities of what love is," explains Rauch. "All
are presented with equal weight and value and it shows that
all should exist in the eyes of the world." This is
not something foreign to Rauch and Moore. In 1997, the two
held a commitment ceremony in which they proclaimed their
love for each other in front of 175 of their closest friends
and family. However, no official recognition of such a commitment
exists. Nine years later, the couple has two sons, Liam,
age five, and Xavier, nine months, and a dog. The Rauch-Moore
family's abundance of strength, love, and commitment in their
home is something most families would be lucky to have.
Moore's casting as Rosalind marks the third time he has
played a Shakespearean female in a Cornerstone production.
His performance as Viola in Twelfth Night earned him an L.A.
Ovation Award for best actor in 1994 and his portrayal of
Lady Macbeth in Macbeth was critically acclaimed. The historic
and social significance in the current casting is that Rosalind,
like Viola, is a "trouser" role: She is a woman
who disguises herself as a man throughout the majority of
the play. "In Shakespeare's day, all the female characters
were played by young men," explains Moore. "It's
interesting but the dynamics suddenly change when you have
a man playing a woman playing a man. The subtext is completely
different. In these trouser plots, there's always some sort
of love going on between a man and the woman disguised as
a man and later when it's revealed that the character is
actually a woman, there's this sigh of relief and it's suddenly
OK that they feel this way about each other. Shakespeare
was definitely making some sort of statement on the whole
idea of love."
As You Like It: A California Concoction holds yet another
significance for Rauch and Moore as this marks their last
collaborative production with the company that they built
from the ground up. Moore left Cornerstone last summer and
this month, Rauch is stepping down as artistic director.
Rauch and Moore's departure marks the end of an era as they,
along with Carey and several other founding members, saw
Cornerstone grow from a passionate fledgling company in 1986
to an internationally respected institution today that has
changed thousands of lives and will certainly continue to
do so.
As You Like It: A California Concoction runs at the Pasadena
Playhouse, 39 S. El Molino Ave., Pasadena, March 17-April
16. For more information, see www.cornerstonetheater.org and www.pasadenaplayhouse.org.
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