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An exclusive interview with the truly legendary Liza Minnelli,
who discusses her career, future projects, and her upcoming
Lifetime Achievement award from the Actor’s Fund.
By Jeremy Kinser

As far as show business pedigrees go, there’s Liza
Minnelli and then there’s everyone else. Born in 1946
to indisputable Hollywood royalty, Judy Garland and Oscar-winning
film director Vincente Minnelli, Liza literally has talent
in her bloodline. She made her first film appearance at the
age of 3 in the final scene of her mother’s 1949 musical
In the Good Old Summertime. After spending much of her childhood
on sound stages, by the early 1960s Liza emerged from her
parents’ shadows and established herself as a triple
threat—a charismatic and gifted singer, dancer and
actress—in her own right. In 1965, she headlined the
Broadway musical Flora, the Red Menace, which not only earned
her a Tony Award for best actress it also marked her first
collaboration with songwriters John Kander and Fred Ebb,
who would become her very close friends. Film work soon beckoned.
For her first starring role in a film, Minnelli gave a finely-etched
performance as sensitive, unloved Pookie Adams in 1969’s
The Sterile Cuckoo, and received an Academy Award nomination
as best actress. 1972 was a banner year for Minnelli. Portraying
the “divinely decadent” Sally Bowles in Bob Fosse’s
film version of Kander and Ebb’s Cabaret, she gave
a universally acclaimed performance that would win her both
a Golden Globe and Academy Award. The same year she reteamed
with Fosse for the concert special Liza with a Z, a ratings
blockbuster that was restored and rebroadcast to rapturous
reviews earlier this spring. In 1975, Minnelli returned to
Broadway to replace her ailing friend Gwen Verdon in Kander
and Ebb's Chicago, directed by Fosse. Minnelli found one
of her many signature tunes belting out the title number
in Martin Scorsese's 1977 musical, New York, New York, in
which she starred as a WW2 big band vocalist. The same year
she again teamed with Kander and Ebb for The Act and she
earned a second Tony for her turn as a nightclub singer coping
with life and show business. Minnelli scored a box office
hit as the lovestruck Linda in 1981’s Arthur, opposite
Dudley Moore. In 1984, she and Chita Rivera were daughter
and mother in Kander and Ebb’s The Rink. Minnelli won
a Golden Globe for television dramatic debut in 1985’s
A Time to Live. A sold-out Radio City Music Hall series of
dates in 1991 launched a lengthy US concert tour. Shortly
before undergoing throat surgery in 1997, the trooper returned
to the Broadway stage, temporarily replacing Julie Andrews
in Victor/Victoria. In 1999 she returned to live performing,
paying tribute to her father in Minnelli on Minnelli. After
being hospitalized with encephalitis the following year,
Minnelli underwent back and hip replacement surgery. In one
of the great comebacks in recent showbiz history, Minnelli
triumphantly returned to the stage in 2003’s Liza’s
Back and was in better voice than she’d been in for
years. 2003 saw her back on the small screen as zany Lucille
2 in the much-loved Fox sitcom Arrested Development.
Throughout a sometimes tumultuous personal life, health
crises, and all the peaks and valleys that come with career
longevity, Liza has always had the love and support of gay
audiences (she’s the daughter of Dorothy, after all)
and she’s given back to us, tirelessly donating her
time and energy to the fight against AIDS.
As she prepares to add the prestigious “Julie Harris
Award” for Lifetime Achievement to her crowded awards
shelf, we chat with the living legend about her extraordinary
career.
IN Los Angeles: On June 11, you'll receive
the Julie Harris Award for Lifetime Achievement from the
Actor's Fund. Besides the year 1972 when you pretty much
owned the world, what do you regard as other highlights of
your incredible career?
Liza Minnelli: Well first of all, what an honor to have.
I mean I grew up in Hollywood, but I had such a love for
theater and dance you know, I just had to be in New York!
But this award is coming from a place, and from people, that
have the same love and appreciation for the theater that
I have and so many of the people involved with the Actor's
Fund and the this award are in L.A. So it makes it that much
more special.
Ok I guess there still is a question there, right? To tell
you the truth, I've had so many great memories and made so
many great friends, it's so hard to pick out specific highlights.
I think Flora (the Red Menace, for which Minnelli won her
first Tony award in 1965) was probably one of my most shining
moments and really one of the best things that could have
ever happened to me was meeting John Kander and Fred Ebb.
I would really have to say that's one (well, two) of the
biggest highlights of my career, and my personal life.
Do you have any plans to return to the
Broadway stage? Please say yes.
Oh God, you know, I guess I'd never turn down anything
spectacular! How's that!
Our fingers are crossed. In the past few
years, you've made a triumphant return to the stage in Liza's
Back, you've gained a new generation of fans through your
work on Arrested Development, and knocked the socks off everyone
this past spring with the restored Liza with a Z. What's
left on your to-do list?
Let me tell ya, that list—it's pretty long! I have
so much I want to do and you know, there's always something.
There has to be or what do you do? Right now, I'm working
on a screenplay, and on a new album of my godmother Kay Thompson’s
songs.
During the Liza with a Z press blitz, you
mentioned you were working on an original musical with Craig
Zadan and Neil Meron: What, if anything, can you reveal about
the plot and who you'll play?
I can't give away much, but it's about a woman who owns
a club in New York and the club is a kind of place where
young musicians are showcased, and has this wonderful perspective.
OK, that's all I'm gonna say but I promise you'll love it!
Since the remastered version of Liza with
a Z was such a tremendous success. Any chance of revisiting
the film you made in 1976 with your father, A Matter of Time—which
hasn't been seen in nearly 30 years and restoring his cut
and the film's reputation?
Sure! Anytime I can be part of presenting Daddy's work
I'd do it. You know he was just so brilliant, oh yes, that'd
be swell!
At the L.A. screening of Liza with a Z,
both your brother Joey and sister Lorna were in attendance.
How close are you three?
Oh, well, they're my family! I really love them both and
I'm so proud of Joey and Lorna and we have always been there
for each other and she has such a wonderful family of her
own. Sometimes it's hard when you're on opposite coasts,
but we always find time to get together.
This is the 25th year since the first reported
case of AIDS. You've lost many close friends to the disease.
You have been an activist since the beginning and even recorded
a fund-raising anthem “The Day After That.” What
sort of responsibility did you feel back then for raising
awareness?
It's really the same responsibility I feel today. I think
it's the same responsibility we should all feel. It doesn't
matter if you're a singer or a dancer or a cab driver. We
can all do something, it's just that we do it in different
ways. I use music, and image, and whatever else I can to
help raise awareness. My friend Kenneth Cole dedicates so
much of his own time and energy for AIDS research, it's wonderful.
For some people it's talent, for some people it's money,
some people donate time. And for some people it's easier
to help the fight for prevention with education. There are
so many ways that everyone can help, but the fact of the
matter is that there will be a cure, and isn't sooner better
than later?
You’ve had such a remarkable life
and career. What would you most like to remembered for?
One of the things I hope I'm remembered for is being able
to discover new talent, but another I'm proud of is helping
people forget. Like when people come to one of my concerts
or stage performances, or laugh at Lucille 2 or Linda, or
relate to Sally or Pookie...any of those things, but if for
one second or one minute or two hours people are able to
just forget about everything else and be entertained—I'd
like to be remembered for that.
On Sunday, June 11, Liza Minnelli will be honored with
the “Julie Harris Award” for Lifetime Achievement
at the 10th Annual Tony Awards Party to benefit the Actors
Fund of America. The event will be held at Skirball Center,
2701 North Sepulveda Blvd., L.A. To purchase tickets, call
(323) 933-9266 x 54. For more information, visit www.actorsfund.org.
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