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By Paul V.
Singled Out
Nelly Furtado feat. Timbaland -- Promiscuous
Girl -- Geffen
Whoa, Nelly! After stumbling on her sophomore CD, Ms.
Furtado rebounds like an eagle, dropping a hella infectious,
Neptune-worthy hip-hop groove, dope vocal interplay with
Timbaland, and the kind of creamy, sassy funk you'd expect
from Missy or Kelis. This one is spelled s-m-a-s-h!
Dixie Chicks -- Taking The Long Way -- Sony
Here's a secret: I've never owned a Dixie Chicks record
before. In fact, I've never even listened to a DC record
before. From afar, though, I dug them—they always
struck me as eschewing the clichés and cartoon-like
wretch of most country music. So much has changed since
lead singer Natalie Maines made her infamous "Just
so you know, we're ashamed the President of the United
States is from Texas" statement back in 2003.
And after the death threats and near career-suicide
from pissing off the far-right wing-nut redneck types
three years ago, these fierce and talented women have
made an outstanding, highly personal new effort. Their
voices are just beautiful, and the trio (with guidance
from Rick Rubin and appearances by John Mayer, Red
Hot Chili Peppers and Tom Petty's Heartbreakers) offers
a bit more folksy rock and a little less twang. Most
of the tracks live in the mid-tempo, slow-burn range,
and among the many highlights: the haunting love ballad "Lullaby," the
Lucinda Williams-worthy "Voice Inside My Head," the
bluesy-gospel prayer "I Hope," the rollickin' “Lubbock
Or Leave It,” and the biting comeback hit "Not
Ready To Make Nice," which sets the tone for this
proudly potent CD. Maines and the Chicks deserve much
credit for writing this standout track, because it
would've been much easier to just blather out a load
of mea culpa apologies in the hopes of winning back
their old audience. Instead, a whole new world of fans
awaits them—and that should include you.
Tiger -- Baby Noise Around Me -- Souvenir
Copenhagen's Tiger Baby drops their sophomore CD this
month, and it's a real treat. Feeling very moody yet
clearly danceable, they might remind you of a sexually
charged St. Etienne, a more organic sounding Ladytron,
a slinkier Dot Allison, or a less glam-obsessed Goldfrapp.
These tracks caress your brain and your booty with
a saucy mix of synthpop beats and fuzzy, shoe-gazing
atmosphere. From the ethereal bounce of “Girlfriend” to
the bass-thump electro of “Parkova” to
the infectiously cheerful electro-gurgle of the waiting-to-be-a-smash “Profusion”,
they mix the sexiness of underground European dance
clubs with some mainstream appeal, and bottle it into
a sweet 'n’ sour 11 track album. A contender
for single consideration is the breathy and buzzing “In
Your Heart,” where singer Pernille Pang showcases
her lovely, floating quiver of a voice that manages
to impart a lot of emotive power despite her delicacy.
Meanwhile, “At Least I'm Honest” might
remind you of classic New Order, circa 1985. And speaking
of New Order, even though Joy Division's “Love
Will Tear Us Apart” is one of the most-covered
tracks of all time, Tiger Baby offer their take on
it too, turning the somewhat serious tone of the original
into a more playful, iconoclastic romp (this is a U.S.-only
bonus track, by the way). There's just something completely
unpretentious and charming about this record, and it
won me over by first spin. Check it out for yourself
and feel the love, too.
KT Tunstall -- Eye Of The Telescope -- Virgin
Glasgow's KT Tunstall, who is all the buzz in the UK,
finally gets a proper release here in America, and
her debut is a caffeinated blend of crisp acoustic
guitars, raw grooves and sublime melodies. Her influences
sprout up from broad musical spectrums, varying from
Bowie and Tom Waits to Lou Reed and PJ Harvey, and
her quirky songs seldom follow the typical verse/chorus
structure, while her lyrics are complex and ultra personal.
Tunstall's blues roots fall over the songs like flecked
glitter, such as "Stoppin' the Love," which
feels like a rich, New Orleans coastal gumbo. Then
gears change as she hearkens a rock-leaning Norah Jones
with honeyed purr laments like “Silent Sea,” “Through
The Dark,” and “Heal Over.” Upping
the tempo to a swampier groove, “Another Place
To Fall” proves she can handle a big anthem.
If there are any drawbacks, it's that KT sometimes
comes off too Edie Brickell (“Under the Weather”),
has shades of Melissa Etheridge (“Another Place
to Fall”), or on other occasions she's playing
in the same sandpit as Fiona Apple (“Universe & U”).
But, in between all of this you get some irresistible
ingenuity in the form of the single that's now a VH1
staple—“Black Horse & The Cherry Tree.” All
told, it's a fine debut, but you can definitely sense
that KT needs a few more releases under her belt to
find her true, less derivative-sounding soul/self.
Catch
Paul V. spinning tunes in Silver Lake: Dragstrip 66
(second Sat. each month at The Echo), Spit (third Sat.
each month at Faultline), and “TVOD” Wed.
at Faultline. Tune in for his “Smash Mix” on
Indie 103.1 FM Fridays at 5:30 p.m. For more information,
visit www.dragstrip66.com.
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